Tonight we're gonna party like it's Woodstock '99, with Craig JenkinsWhat we didn't learn about 1999—and American culture—from Bill Simmons' documentary on a festival train wreck
Five Days in a TikTok MansionHow bowing to the algorithm is impacting our sense of self, with Barrett Swanson
Has music journalism lost its way?Navigating criticism's existential crisis in the era of streaming and clicks, with Ann Powers
Parasocial AnxietySubstack, platform capitalism, and the possibilities and perils of the creator economy
The rise of the clickbait restaurantNavigating the late-capitalist dystopia of virtual restaurants and ghost kitchens, with Emma Kemp
What are NFTS? And can they save independent music? Mat Dryhurst explains why million-dollar GIF auctions only scratch the surface of blockchain's disruptive potential.
Is counterculture even possible on the internet?New Models' Caroline Busta on locating the “outside” in a world where everything we do is being watched
What is creativity worth?We spoke to Downtown Boys' Joe DeFrancesco about unionizing independent musicians and the fight for a penny per stream.
Every story is a labor story, with Kim KellyHeavy metal, unions, anarchists and everything you're getting wrong about the American culture war 
The digital hustleSurviving and innovating in a music industry that has moved online, with Jubilee and Shruti Kumar.
Is TikTok a cultural propaganda machine?Political scientist Kevin Munger discusses why the video-sharing app is such an ideological force-multiplier. 
How 2013 Changed Music ForeverMusic journalist Larry Fitzmaurice on the year the Internet transformed the industry from the inside out.